Showing posts with label Interview. Show all posts
Showing posts with label Interview. Show all posts

Interview about Witch Song

Wednesday, June 15, 2016
Interview between journalist JoLynne Lyon and Amber Argyle

JoLynne: Throughout the story, Senna struggles with her identity. What advice would you give to her—to anyone who feels like an outcast?

Amber: Senna finds herself trapped in a situation where she’s persecuted/bullied/belittled because of who she is. If you’re in a similar situation, don’t sit back and take it. Do everything you can to improve your situation—including looking for outside help. If everything fails, avoid the situation if possible. If even that doesn’t work, remember that nothing lasts forever and do what you can to make it bearable. Remember, what makes you different is what makes you beautiful. In the beginning of the book, Senna wants nothing more than to blend in, be like others. It’s only as she matures that she realizes the very things that make her different also make her beautiful, strong, and powerful. And she wouldn’t trade any of those qualities just to blend in.  

JoLynne: What are the qualities Senna values the most in others? In herself?

Amber: Like so many of us, Senna doesn’t see herself very clearly. She’s harder on herself than anyone else. She’s blind to her own strengths, seeing only her faults in glaring florescent lights. So when she looks at others, her view is colored by her own weaknesses—all she can see is their strengths in comparison to her weaknesses, which isn’t fair to herself. Or the other person for that matter. But let’s be honest, we’re often anything but fair to ourselves.

Through the book, Senna’s warped perception begins to change. She discovers her strengths—strengths that were there all along—were just in need of sunlight and water to blossom. Strengths like her ability to love—fiercely, her determination, her courage, her loyalty. And most importantly, she realizes that she’s strong—strong enough to face her biggest fear.

JoLynne: Trust comes up again and again in the story, as your characters decide who is and is not worthy of it. How can young people decide whom to trust?

Amber: It’s really very simple. If a person encourages you to become something more— someone better without asking for anything in return (except friendship), that person is worthy of your trust. Please realize that people who genuinely care about you don’t need anything in return. There is no price, no bad consequences for being with them. Because they’re pulling themselves up with one hand and you with the other.

The reverse is also true. If a person brings you down socially, emotionally, physically or asks a price for their friendship, that person is not to be trusted.

JoLynne: Senna's mother chooses to protect her—so much so that Senna feels unprepared to face her life. How can a mother protect her child without leaving her helpless?

Amber: By teaching that child to protect himself/herself. As a child becomes old enough to face a situation (ie bullying, pornography, peer pressure) we as parents need to provide the tools to deal with that situation. I’m a firm believer that if a child is old enough to ask the question, their mature enough to receive the answer (in an age appropriate discussion). And it doesn’t stop with physical safety. Children need to be taught moral guidelines—things like kindness, integrity, individual worth, etc.


JoLynne: Sacrifice is another theme that is repeated in this story. How does Senna decide what she will and will not give up?

Amber: Senna makes her choices the same way we all do—weighing her past experiences with the expected outcome and seeing which consequence she can live with. Refusing to hide from her problems, she educates herself about overcoming them. She doesn’t feel it is adequate, but she does the best she can with what she has. Though she faces daunting odds, she’s knows the cost of failure is simply too high not to try.

JoLynne: Joshen is a heroic man who falls in love with a powerful woman. What kind of future do you envision for two people who are both remarkably strong and stubborn?

Amber: There will be fights. There will be enormous clashes of will. But if Senna and Joshen truly love each other, they’ll work it out. And no, I won’t elaborate. You’ll have to read the sequel.

JoLynne: Reden is an interesting character who makes his appearance later in the story. Which beliefs and values dictate the choice he makes? Will he appear in other books?

Amber: I don’t give a lot of the backstory on Reden, simply because it isn’t really needed. But he’s actually from the Boor class. His military prowess was such that he worked his way up through ranks that are normally closed to the lower class. He’s intensely loyal to his men. And he’s very decisive and strong willed. He’s fascinated by Senna, in more ways than one. And yes, he’ll be a big part of book two.

JoLynne: Eventually Senna finds other people treating her like a leader, though she would rather blend into the background. How can a young woman come to accept and embrace her own leadership qualities?

Amber: By not letting fear cripple you. If you see something that needs done, don’t sit around waiting for someone else to take care of it. You take care of it. Or delegate. Either way, make sure it gets done.

Thanks for the interview, JoLynne! If you'd like to check out JoLynne's book, you can look her up here: http://mountainlyon.blogspot.com/ 




YA Scavenger Hunt Fall 2014 {Featuring LH Nicole}

Thursday, October 2, 2014

I'm Amber Argyle, author of the Witch Song and Fairy Queen Series (book bloggers, don't forget to sign up for an ARC of Summer Queen, book 2 of the Fairy Queen Series). If you've never read one of my books , you can start with Witch Song for free! Also, if you have Kindle Unlimited, you can read Witch Rising for for FREE as well. 

In addition to the amazing prizes offered by the hunt, I'm also offering signed paperback copies of Kevin J. Anderson's trilogy, Terra Incognita. 

 To win, all you have to do is sign up for my newsletter (I check all winners):



And leave me a comment telling me something that drives you crazy (ie, mine is wet socks. I immediately have to change them). 

On a personal note, I turn 33 next year, which I'm pretty excited about!


Confused about anything hunt related? Go to the YA Scavenger Hunt page to find out all about the hunt. 

SCAVENGER HUNT PUZZLE

Directions: Above, you'll notice that I've listed my favorite number (in grey). Collect the favorite numbers of all the authors on team indie, and then add them up (don't worry, you can use a calculator!). 

Entry Form: Once you've added up all the numbers, make sure you fill out the form here to officially qualify for the grand prize. Only entries that have the correct number will qualify.

Whew. Now we're done with the rules, here's LH Nicole introducing herself. 

I am a seasoned Pastry Chef in our nations capitol and a life long fairytale (Disney and Grimm) lover, believes in love at first sight, addicted to 80’s & 90’s cartoons and anything that can capture my ADD-way-to-overactive-imagination. Joan Lowery Nixon and L.J. Smith were the first authors I became addicted to and who inspired me to steal away whenever I could to read and write. You can keep up with me, and all my news and adventures on FacebookTumblrPinterestBlogger and Legendary Saga website.
L.H. Nicole

For this hunt, LH is the featuring her book, Legendary. Here's a little more about it. 

Aliana Fagan spent her childhood traveling the world, dreaming of legendary heroes and mythical lands. But after the sudden death of her parents, she hides behind the safety of her camera and her art until a vivid recurring dream compels her to dig into her father's research about Avalon and Camelot. When she is hurled into a magical realm by forces she thought were only the stuff of fairy tales, she finds herself thrown into an adventure she could never have imagined. Nearly everything she thought she knew about Arthurian legend was wrong.

This sounds like a retelling I can get excited about. I'm thrilled that LH is sharing the Prologue below.

Prologue
Bleeding, bruised, and all but dead, Merlin stepped from a swirling portal onto the magical ground of Avalon. Behind him, his brother knights and friends, Sir Galahad and Sir Lancelot, carried a dying King Arthur between them.
“Lady Titania, queen of the Fae and ruler of Avalon, I beg your help,” Merlin cried out. “All the realms stand in mortal danger, and we have no hope of victory without you.”
The men stood silent as Merlin’s voice reverberated through the valley. Wind rushed around them, sending leaves and fallen petals dancing in front of the knights.
A beautiful, regal woman appeared in the churning greenery. “I have heard your call, my dear Merlin.”
With a pop, the wind died, dropping the foliage to the ground at the queen’s feet. Her copper hair fell in long curls. Tiny ringlets curled around a face which looked as soft as flower petals, though Merlin knew there was nothing soft about her. The Fae queen was unpredictable and dangerous when tested. She stood as tall as the knights, her body a perfect hourglass shape with the top half covered by a tight, shimmering gold bodice. Her skirt hung from her hips, flaring loosely around bare feet, which were decorated with Fae jewels and silver anklets.
Still supporting King Arthur and suffering from their own painful wounds, the knights bowed to the queen of Avalon. Merlin dropped to his knee before her.  “My lady, I have trapped Mordrid in a void between the realms, but I cannot kill him. Only someone of the Pendragon line can wield Excalibur and end this evil for good, but Arthur is the last of that bloodline.” Merlin looked up at the queen, trying to contain his rage. “If Mordrid is allowed to go unchecked, he will break free of his prison and destroy our worlds.”
Titania studied him for an endless moment. Her cold, glittering emerald eyes betrayed no emotion, but Merlin knew she understood all that was at stake. Glancing back to King Arthur, she saw the wounds at his side, the blood pooling at his feet as he slowly bled to death. Arthur’s loyal knights were not doing much better—their jaws were clenched tightly and their bodies shook as the power of Avalon flowed over their wounds.
“And what would you have me do, druid? Did not my lord give you an army to fight alongside you?”
“Yes, my lady.” Sir Galahad spoke for the first time, his voice labored and thin as he held back a groan of pain. “But Mordrid’s treachery knows no bounds. He delayed the army’s arrival long enough to drive his magic blade into our king.” The knight’s voice cracked, his eyes cast downward in shame.
Titania scoffed at the knight. “But your king is a great strategist. Surely, he would have planned for such an event.”
Sir Lancelot answered before the others could. “It does not matter how it happened! Mordrid is still a threat to everything all of us love, including your realms.”
“Please, my lady,” Merlin begged. “Save Arthur. My magic is all but exhausted and I do not have the strength to save him.” He rose, meeting her calculating gaze.
Titania glided forward, stopping before King Arthur. She placed a long, elegant finger beneath his chin and lifted his face to hers.
Arthur’s vision was so blurred he could barely make out the figure in front of him. A cool breeze washed over his face. His vision cleared and the pain that had been gripping his body vanished.
“Arthur Pendragon,” the Fae queen said in a silky voice.
Arthur peered into eyes of the deepest green.
“Do you want to live, Arthur Pendragon? To save the realms, regain your life, and find your happiness, will you do what is asked of you? If I save you, will you rise up and do what must be done to stop Mordrid and his evil?”
Arthur’s intense gaze didn’t waver. “Yes, my lady. I swear on my life I will not rest until Mordrid’s dead body lies at my feet.” He would do anything to avenge his kingdom and his fallen brothers.
Titania ran her fingers over Arthur’s cheek, gazing at him with a look akin to pleasure. “I have always had a fondness for you, dear king.” She stepped away and gave her attention to Arthur’s company. “Your king has given his word. Are the three of you willing to do the same?”
“Yes, my lady. You have our oath,” they said together, their faces shining with pride and determination.
Queen Titania smiled, triumphant. “Prepare yourselves.”
The Fae queen threw her arms above her head, and the valley was consumed with the sizzling of her magic. Galahad and Lancelot covered their eyes against the force, curling their bodies to shield their king. Merlin held himself still—he could not show any more weakness to Queen Titania.
When the magic subsided, they found themselves in a chamber hidden deep in the mountains of Avalon. In the center of the chamber was a stone bed, lit from above by a small opening in the mountain’s wall.
“Do you have the Grail of Power?” Titania asked Merlin.
Arthur’s druid reached under his cape and pulled the coveted grail free, handing it to her.
“Lay Arthur on the stone,” she commanded. Lancelot and Galahad carefully placed their king on the stone bed, stepping back as the Fae queen lowered the cup to catch several drops of Arthur’s blood. “Each of you must add your own blood to the grail.”
Lancelot exchanged a guarded look with his friends. Galahad nodded to his brother-in-arms, pulling a dagger from his belt. The knight slashed a new wound in his palm, squeezing a few drops of blood into the golden, jeweled cup. Taking the dagger, Lancelot cut a matching wound, adding his blood, which was followed by Merlin’s. Facing Titania, the three men wore expressions of determination and hope, along with ones of guilt and regret.
Titania pricked her finger, adding a drop of her own enchanted blood, and whispered ancient, binding words. She then tilted the grail over her open palm. The blood poured out, transforming before their eyes into a small, glittering ruby. As Merlin studied his king and friend lying helpless and as pale as moonlight, guilt choked him. His fellow knights felt the same sense of failure. If they had foreseen Mordrid’s curse, their king wouldn’t have been on the verge of death and they wouldn’t have been in Avalon.
Looking down at Arthur, the ruby rose from Titania’s palm and hovered above the king.
“Arthur Pendragon, you are the once and future king. I command you to sleep until the one who is destined to awaken you seeks you out and calls for your aid.”
The blood ruby consumed Arthur’s consciousness, slowly darkening everything in the king’s sight. He wanted to reassure his loyal knights and friends, but all he could see and feel and hear was Queen Titania. Her mighty emerald eyes demanded his acceptance, and he found he could not fight her power. The ruby returned to Titania’s hand as she stepped away from the shrine.
Galahad and Lancelot relaxed as Titania moved away from their king, but the calm did not last long.
The queen fixed her gaze on them. “I have done what you asked and saved your king’s life, but now you three must accept the cost. Never again can you reenter the mortal world without Arthur by your side. Your lives are now bound to his, and you will only be freed after his quest is complete.” Titania’s commanding voice was as hard as diamonds as she examined the knights. Sir Galahad was drowning in his guilt; Sir Lancelot was struggling to balance his desire to defend his king and his wish to rejoin his wife. Merlin’s eyes were downcast, his fists white from tension, his shoulders shaking as he tried to rein in his anger at the woman who had betrayed them—the witch, Morgana LeFay
“I warn you now, break your vows to me, to your king, fail in the tasks set before you, and you will pay a dire price.”
“We will not falter,” Sir Galahad swore.
“See that you do not.” Titania smiled, calling on her magic to hide her from the knights’ view.
“My queen, what have you done now?” Titania’s husband, Oberon, king of Avalon, materialized at her side, visible only to her eyes.
Tempering her voice, the Fae queen answered, “I could not stand by and let Mordrid go unchallenged, my lord.” If her plan was to flourish, it would take centuries, but Oberon could not know her intentions. Her husband was a master deceiver, the only one to ever challenge her own skills of deceit.
He stepped in front of Titania. “You know my laws. Directly interfering with mortal affairs is forbidden,” he thundered.
“Yet you gave them an army, my husband.” Her eyebrow rose, almost mocking her king.
“I am king of Avalon. It is for me alone to decide if or how we influence the mortal realm.”
Titania bowed low. “My apologies, my king,” she said, her voice honey-smooth and placating.
“You know the laws of Avalon, the consequences of your actions.” Indeed, she did know what her punishment would be for her interference, but it was a small price to pay for what it would accomplish. She would be banished to the mortal realm until Oberon saw fit for her to return. There would be much work for her to do during her banishment.
Queen Titania rose to her full height, her chin held high, and met her husband’s unwavering gaze. “Indeed, my lord.” She turned from him and looked at the knights. “But you must agree that their story—and what is to come—will make a tale worthy of legend.”
King Oberon studied his queen silently before vanishing from the cave.
 “So it begins.” The queen departed for the mortal realm, a cunning smirk on her lips, satisfaction bright in her emerald gaze.

Sounds fabulous! If you'd like to know what happens next in Legendary, go here. 
For the next stop in the hunt, visit Kia McCarthy

{For Writers} Guest Post on Crafting Cover Copies by Mark Penny

Wednesday, May 21, 2014
In the indie world, I'm kinda known for writing good cover copies (back synopsis). A big part of that is trial and error and hundreds of trashed attempts. The other part is Mark Penny. I first met Mark while struggling to write a cover copy for Witch Fall, and he taught me so much about how to write good back matter, that I ended up rewriting most of the cover copies for my other books. 

This first post is the base knowledge you'll need before you start writing your own cover copies. I'm not ashamed (blatant lie) to admit that I have to have a dictionary on hand when conversing with Mark (he's a professor), but I promise it's worth the intellectual squinting. 

How to Write a Peephole, Part One: Function and Qualities

Imagine you’re looking for a house. You’re interested in a new subdivision—
all empty houses and none of them sold yet. You call the agent and she says to help yourself, just walk up to any house you like the front of, take a look through the peephole, note the address if you like the view, and call her for a tour. You pick a few homes you think look promising and you start your round. You walk up onto the porch of the first house and put your eye to the lens. The lens must be in backward, because you’ve got a clear fisheye view of a front room and three doorways leading off it. Through the doorways you can make out the color and quality of the furnishings and décor. When you finish the loop, you’ve got a short list of homes you want to explore and you dial up the agent again.
That’s pretty much what happens when you browse for a book. You look at the title, the cover art, maybe the author’s name. If that all looks okay, you flip the book over to read the back. If the author’s famous, an award-winner, or in good with someone whose opinion you might care about, there’ll be some blurbs about that. But the thing you’re really looking for is that fisheye view of the contents—the cover copy. The question is why? What are we looking for in that tight little peek on the back of the book? What is its function?
All but the weirdest or most incompetent narratives (by which I mean instances of storytelling, as opposed to the stories from which they are drawn) divide nicely into three Acts, four Stages, eight Sequences and nine Milestones. I know this because I’ve read some good books on the subject, developed a Unified Paradigm of Narrative, and tested the Paradigm on scores of stories of various lengths in various genres, including litfic. I’ve also hand-typed around four hundred samples of back cover copy onto my hard drive, so I know another fact: Good BCC (back cover copy) sticks to the Setup.
In my Paradigm, the first quarter of the narrative is Act I, Stage 1, Sequences 1 and 2, and the first three Milestones. Act I I call Country. That’s because it’s where we learn everything we want to know about the story and the people in it before we decide whether to hang around for the parties and cultural displays. Stage 1 I call Setup, because its job is to set up the rest of the narrative by introducing the world, the genre, the characters and the kinds of disruptions the protagonist might have to deal with. Sequence 1 I call Initial State, because this is where we see the protagonist living life as usual. Sequence 2 I call Imminence, because this is where we experience anticipation for a specific predicament. The Hook, which begins on page one, lures us into the narrative with stuff we find cool. It varies with genre and the narrative’s particular focus (think MICE quotient), but its job is the same no matter what. The Inciting Incident, which occurs halfway through the Setup, signals to the reader (and maybe to the protagonist) that the antagonistic force is about to pounce. At Plot Turn 1, which occurs at (or just after) the end of the Setup, it pounces and the story really begins.
All of that is what we want to get a glimpse of through the back cover copy.
In order to fulfill its function, back cover copy has four important qualities: honesty, accuracy, brevity and restraint.
Honesty. Tell the truth about your book. Don’t try to make it look good. Make it look like itself. If that’s not good enough, fix the book and try again.
Accuracy. Know what you’ve really written. The book you’ve run off the printer may not be the one you had in your heard—even if you wrote an outline.
Brevity. Keep it short, sibling. The ratio of words in the BCC to pages in the book is always in favor of the pages.
Restraint. The Setup, the pertinent elements of the Setup, and nothing but the pertinent elements of the Setup—unless it’s for kids or for college. The only reason to give more than the guts of the Setup is to reassure people that the story will or won’t corrupt their minds or damage their psyches. Or that it will do them some kind of good, like teach them correct morals or make them erudite.
Here’s a peephole I threw together for the bedtime story I’ve been telling my children—ages eight, ten and twelve. So far there are seventeen episodes, each about seven minutes long. The word count is in parentheses. In my next post, we’ll see whether this specimen has the four qualities and serves its function. Then we’ll talk about The 11 Ps of Narrative and how this specimen has them all.

When Neb tells his parents he's taking the bus to a neighboring city to attend church with his friend Steven (so he can sneak off to go camping with the beautiful, mysterious Rukalala and her family), he thinks he's only being a little bit deceitful and disobedient. But when Rukalala takes him for a moonlit walk, transforms into a werewolf and bites his neck, Neb knows he's gotten himself in far greater trouble than he'd ever imagined possible. And when Rukalala and her werewolf troops start killing Neb's family to force him to help with a werewolf invasion, he realizes that seemingly harmless errors in judgment can have very harmful consequences. (111)


Mark Penny is the author of one novel in revision, a dozen novels in prewriting, a bunch of short stories and a lot of poems. His poetry has appeared in Sunstone Magazine and Dialogue: A Journal of Mormon Thought and on Wilderness Interface Zone and Everyday Mormon Writer. His short fiction has appeared on Everyday Mormon Writer and Lowly Seraphim. He is currently working on a collection of his own Mormon literary speculative fiction and three stories for the 2014 Mormon Lit Blitz, which he intends to win with no survivors.

*Layman's translation: you need to pull plot points from your book and deposit them in your cover copy. Got it (And yes, I really do translate our conversations in my head).
Thanks so much for the information, Mark!

{For Authors} How to find an illustrator

Thursday, December 26, 2013
Recently, John Brown (Servant of a Dark God) interviewed me about finding an illustrator. Below are my answers (thanks for typing it up for me, John!):

Finding an artist:

  • Instead of looking on DeviantArt, Amber will look on Pinterest because this collects "the good stuff" for her. 
  • When she finds an artist there she likes, she will Google them to find out contact information. 
  • Then she'll contact with specific information about the project and ask for a bid. Some of the artists want payment in installments. 
  • If she agrees to the bid, she will write up a contract, and they begin the project. 
    • She's found that the artists outside the US are much cheaper 
 Directing the artist

  1. The key is to be very specific with the artist. This means you have to do your homework up front. 
  2. She goes out to Pinterest and stock photography sites and finds images that show what she wants for: 
  • Costume 
      • Example: she found the clothing in Witch Fall 
    • Background 
    • Color scheme (She uses color to make the image pop AND to convey the right mood)
      • Example: she found the turquoise and red on images on Pinterest that she thought popped 
      • she conveys the personality of characters as well -example: when she was explaining what she wanted for the fairies of Winter Queen, she described their personality, the types of wings she wanted, etc. Very specific.
    • Pose 
    • Models 
      • Example: she found the exact model she wanted the girl in Witch Fall to look like 
    • She will also think of the scene to illustrate 
      • If she doesn't have a photo, she describes in detail what she wants. -Example: with Witch Fall, she didn't have an image of the woman in the water, so described her there with arms and legs dangling behind her, the hair above her head, the side of her face. 
Tips:
1. If ever anything bugs her, she brings it up immediately so it can be fixed.  She will collaborate.
    •  For example, with Witch Fall she wanted dragons but didn't know where to put them. The artist came up with the placement. The artist also said she thought the girl needed some plants around her. 
  •  The process can go back and forth many times 
    • There's a rough sketch 
    • Then various layers 
    • Then, because the file size is getting too large, they will flatten the picture. 
2. You will want approval before they flatten. To make adjustments after that, they have to go back to a layered version.
  • She has gone back and forth with adjustments up to 20 times with Winter Queen because it was so complex with the figure and the fairies 
3. The piece is not done until it is printed!
    • A lot of the artists don't understand that printed images are darker than those on the computer screen. On the screen you can lighten or darken because everything is backlit. You don't have that on the page. 
    •  So you MUST print out an ARC first. Once you're satisfied with that, the job is done (DON'T SEND FINAL PAYMENT UNTIL THEN). 
Other Tips ·
 Image

  1. The image needs to pop. So think about color, contrast, silhouette, etc. 
  2. Think simple over complex. Too much detail ends up looking messy and distracting. Especially in thumbnail size. Simple usually shows up the best in small images. 
  3. You need alpha and beta readers for the image just like you do the book to give you feedback. Are they seeing anything weird? What feeling does the image give? Are there artistic things that could be changed? 
  4.  Make sure the tone of the cover reflects the tone of the story. It has to communicate the type of story the book is. ie-Winter Queen was too feminine and fairy and didn't convey the dark side of the book. 
Text
    • Leave space for displaying text  
    •  Don't have the artist add the display text. Just have them provide the image (hire graphic designer to do the text-it's a different discipline). 
    • Have you graphic designer look at the initial sketch for approval.
    • Make sure the text is readable in thumbnail.
    • Textured font usually means it's darker and harder to read. Trad Pub books usually don't use textured fonts. 
Deliverables

  • The final wraparound without text (this way you can make changes to the text if needed. ie-if your trilogy becomes a series). 
  • A jpeg and a compressed file she can use on websites 
  • A very high resolution tif file so changes can be made later. 
  • Parts of the image 
    • Example: she wanted to use the fairies on her site or for a bookmark or for chapter headings 
    • Example: she used the pendant on her copyright page. She also used it for her short story. 
  • Come up with a common symbol or object for a series 
    • She recommends having something that can be used for the whole series.
    • Example: she used the pendant in Witch Sing on each book and on the title page.
    • Example: note Jason Chan's burning, magic hand in the Phillipa Ballantine Geist series

Live chat on Spreecast w/ Amber Argyle and Mary Ting

Thursday, September 12, 2013
I'm doing a live chat on Spreecast! I have no idea how to pull this off, but Jessica (Crossroad Reviews) is an excellent hand holder. Come as me all your questions. Or just gush about my books. Cause ya know, that never gets old.) http://www.spreecast.com/events/read-time-2

Preview


Join us on Sept 14th @ 7pm as we chat with Mary Ting of the Crossroads Series and Amber Argyle of the Witch Song Series. Then at 8pm join Jessica and Frishawn as they chat with their followers and subscribers about upcoming books and more! Also don't forget to enter to win.

Feel free to post on your own networks, and don't forget to enter the contest to win a signed special edition hardcover of Insurgent by Roth. It's just below this post!  

I am now an "Evil Queen Knight of the Cosmic Table"

Wednesday, August 28, 2013

Yes. You read that right. And DO NOT make the mistake of confusing that for my other title, Chief Grim Throat the Wicked, QUEEN OF THE GREYSHALKS (you can read about it here, just scroll down until you see my terrifying picture). And yes, my family is very proud. 

As far as my newest title, it's all explained in one of the most frolicsome (really thesaurus? That's the best you could do) interviews I've ever done.

Also, I may be sleep deprived and too hyper to go to bed and replied to every single comment in hilarious fashion. Right after which I wrote this post. 

Also we talk about publishing contracts. They're a necessary evil. Like tampons.

What?

Okay fine. I'll go to bed. Where's the Ambien? 

YA Scavenger Hunt with Myra McEntire (Hourglass)

Wednesday, November 30, 2011
Welcome to Amber Argyle's stop in the Dec. 1st, 2011 YA Scavenger Hunt, hosted by the AMAZING Colleen Houck (Tiger's Curse)! I'm the author of Witch Song, a YA high fantasy where witches control nature (seasons, storms, winds) through singing, but all the witches have been captured by an evil witch who plots to use their power to bring mankind to its knees. Only Brusenna, a young, untrained witch stands between the evil witch and the world. (I've hidden the first chapter of book 2 on one of the blogs in the scavenger hunt--go find it!)

On this Hunt, there are tons of prizes. Each blog is giving away a prize, so take a couple hours and go enter them all. At the end, there's BIG grand prize (signed editions of books, signed bookmarks, jewelry, and many more exclusive gifts with at least one gift from EVERY AUTHOR!) for someone who unscrambles all the RED codewords hidden in each post and uses it to fill out this Puzzle Form in order to win said BIG grand prize (puzzle and instructions located at the bottom of this post).

I'm also giving away a signed copy of Witch Song. All you have to do is add Witch Song to your "To Read" list on Goodreads (if you don't have a Goodreads account, you can Tweet or Facebook) and let me know in the comments. How easy is that?

As part of the tour, I'm hosting the beautiful and talented Myra McEntire, author of Hourglass and Timepiece. Myra McEntire knows the words to every R and B hit of the last decade, but since she lives in the country music capital of America where her lyrical talents go sadly unappreciated, she chose to channel her mad word skills into creating sultry Southern timeslip novels.

But if you catch her at a signing, she can probably be convinced to rap with you anyway.
 
Here's a little about Myra's amazing looking book, Hourlgass:  
 
 For seventeen-year-old Emerson Cole, life is about seeing what isn't there: swooning Southern Belles; soldiers long forgotten; a haunting jazz trio that vanishes in an instant. Plagued by phantoms since her parents' death, she just wants the apparitions to stop so she can be normal. She's tried everything, but the visions keep coming back.So when her well-meaning brother brings in a consultant from a secretive organization called the Hourglass, Emerson's willing to try one last cure. But meeting Michael Weaver may not only change her future, it may change her past.


Who is this dark, mysterious, sympathetic guy, barely older than Emerson herself, who seems to believe every crazy word she says? Why does an electric charge seem to run through the room whenever he's around? And why is he so insistent that he needs her help to prevent a death that never should have happened?
 
Here's the cover for her second book in the series, Timepiece. Love it!

You can buy her books at IndieBound, Amazon, and Barnes and Noble. I've even been told if you buy one you get a pony free (okay, not really).

AND Myra has been awesome enough to read an excerpt of her new book, Timepiece! Click here! (link goes live at 1 Pacific).

Here's the link for the next stop on your hunt: Gregg Olsen.
If you'd like to see my bonus feature (the never before seen 1st chapter of Witch Song 2) visit Cynthia Hand's blog as well! And don't forget to leave a comment here to win a copy of Witch Song.

Puzzle Rules:
As an extra bonus we’ve put together a puzzle with one keyword found on each website. Complete it and you will be eligible for a fantastic GRAND PRIZE which will include signed editions of books, signed bookmarks, jewelry, and many more exclusive gifts with at least one gift from EVERY AUTHOR!

Directions: Search for the 37 keywords—one on each Scavenger Hunt website—that are highlighted in RED. When you are finished, go here [link] to the puzzle form, where you will find a list of scrambled keywords. Put your keywords in the same order as the scrambled ones—from #1 - #37—and paste that list into the entry form.

Rules: To be eligible for the grand prize, you must submit the completed puzzle form before noon on Dec 4th Pacific Time. All the keywords must be included and you must include your full name and address. Entries sent in without name and address will not be considered! The contest is international.

~Amber
Facebook II Twitter II Goodreads

Guest Post by David Farland (on YA and Magical Systems)

Friday, October 28, 2011
Amber: Why did you decide to write young adult after all of these years?

David: Actually, I’ve been doing it most of my life. It’s just that no one ever noticed!

My first novel had an older protagonist, but beginning with my second novel, Serpent Catch, my protagonists have almost all been young men and women in their late teens—age 19 or so. The Serpent Catch, Golden Queen, and Runelords series all feature very young protagonists. In fact, with the Runelords I have a couple of children as protagonists. In Wizardborn, I have a girl who is 8 as a protagonist for most of the book, and in Sons of the Oak, my main protagonist is between 11 and 14.

I have also written movie tie-ins using young adult characters. My novel Star Wars: The Rising Force was a big hit for Scholastic, and my Mummy Chronicles novels, four books in all, remained high on the New York Times Bestseller lists for months when they came out from Random House.

To tell the truth, when I first began working on the Runelords series, I strongly considered making it young adult, or perhaps writing a parallel series that was YA.

But it wasn’t until I was teaching a class at BYU in 2002 that I really got thinking seriously. I had one of my students, Stephenie Meyer, come to talk to me one day. She asked, “How do you become the bestselling YA author of our time?” So I we sat and talked about how to approach that. I suggested that she work on a contemporary fantasy with a powerful romantic angle to it, and all the time I was thinking, Of course as a man, I couldn’t write that novel. People would think it was just too weird. But I could write something for young men, with more of an adventure feel that would do much the same.

My existing contracts kept me busy for a long time, but now that I’m about done with the Runelords, I wanted to get a jump on the next series. So I’m hoping that this novel will go big. Whereas Stephenie went straight for the heart of the teen female audience, I wrote something that I think will have a much broader appeal for both men and women, from teens through adults.

Still, I have to worry that Stephenie and I took a similar approach to these novels. I really wasn’t copying her. I’m just trying to follow my own best counsel .

Makes one wonder how fine the line really is between YA and adult. I have a MS that I can't figure out where it belongs--YA or adult. It's kind of a blend of both, and it definitely has some violence (though not as bad as some YA books).

Amber: Tell us about how you came up with your magic system?

David: Years ago, in the late 1980s or early 1990s, I read a book by a doctor who had worked for the CIA, experimenting with drugs that would erase both long- and short-term memories. It was fascinating work, and he eventually won the Nobel Prize for it. So I became interested in memory transfer ages ago. I totally have a dystopian memory eraser book--it's in the editing stage presently. ;)

Later on, one Christmas, I got to thinking about the three “Wise Men” from the bible. Normally, a “wise man” is called a wizard. A “maji” is called a magician. Why was it that the writers of the bible were using double-speak when discussing these guys? Weren’t they astrologers? Doesn’t the Old Testament condemn these folks to death?

So I went back to the Hebrew and found out that indeed these three gentlemen were in the same class of magicians that the Old Testament, the m'khashepah—which originally referred to a class of magicians that hung around royal courts.

So the thought occurred to me, “What if they weren’t just coming to give Jesus gifts? What if they really had come to be . . . advisors. What if they wanted to give him wisdom?”

That started a whole train of thought dealing with memory transfer—transfer of memories, the possibility of training reflexes, transfer of memories on a cellular level, and so on—which led to the creation of my magic system.

The questions arose, what would people do with such power?

And of course from that a novel was born.

Nightingale tells the story of a young man named Bron Jones, who is abandoned at birth. Raised in foster care, he’s shuffled from home to home. At age 16, he’s kind of the ultimate loner, until he’s sent to a new foster home and meets Olivia, a marvelous teacher, who recognizes that Bron is something special, something that her people call a “Nightingale,” a creature that is not quite human.

Suddenly epic forces combine to claim Bron, and he must fight to keep from getting ripped away from the only home, family, and girlfriend that he has ever known. He must risk his life to learn the answers to the mysteries of his birth: “What am I? Where did I come from? Who am I?” I would of course like to take this moment to offer a review for Nightingale. You can send me the novel amberargyle at yahoo dot com ;)

This is a big project, an enhanced novel with illustrations and animations from half a dozen talented illustrators. It has a sound track by the head of the National Composer’s Guild, James Guymon, with a dozen professional musicians and vocalists. We’re releasing the novel in several formats, as an enhanced novel, a normal e-book, an audiobook, and as a hardcover.

But we did one last cool thing. The enhanced book was designed for the iPad, though you will also be able to read it on just about any other pad or smartphone. But we had our programmers create a web app so that you can enjoy the book on your computer—read a few chapters, take it for a test drive, or simply buy it for reading online. You’re free to go check out the results at http://www.nightingalenovel.com/. If you like it, remember to “Like” us on Facebook. Better yet, re-post our site info and tell your friends on Facebook.

Oh, and while you’re there, check out our short-story contest, where you can win $1000. I should totally enter that.

Thanks for stopping by, David. As you all know, David is a hero of mine. He was good enough to write a blurb for Witch Song, for which I will ever be grateful.

Isn't it interesting to learn how authors come up with some of our ideas. We take a concept and spin thoughts around it like a cone dipped in a cotton candy machine. Layers and layers of thought combine to make something magical.
Related Posts Plugin for WordPress, Blogger...