My writing buddy, Marion Jensen (w/a Matthew Buckley), called me yesterday to invite me to dinner with James Dashner.
James is quirky, kinda goofy looking, and more fun than jelly beans--come to think of it, he kinda looks like Mr. Bean! :)
Talking to him gave me hope, and I want to share that hope with the rest of you.
James started out publishing the Jimmy Fincher Saga with a tiny little publisher called Cedar Fort. He pounded the pavement and worked hard to get as much publicity as he could on the series. It paid off. His next contract was with Shadow Mountain (another small publisher, but with a wider market and deeper pockets--plus they work their bums off for their authors).
Once again, James worked hard by going to conferences and speaking on the panels, doing school visits, blogging, and going to other writer events.
He landed an agent. Life didn't work out with that particular agent. He found another. He praises his new agent like some people praise expensive chocolate. He landed a BIG deal with Random House (read about it http://jamesdashner.blogspot.com/2008/07/random-house-maze-runner-good.html).
Now he's making enough money that he quit his full time job.
To top it off, the guy is really a genuinely nice person.
See, it can happen. Even to goofy Mr Bean lookalikes!
(James, if you're reading this, know that you're soooooo much better looking than Mr. Bean. :) )
Is there an end in sight?
Wednesday, February 25, 2009
I thought for sure I'd hear back from the publishers this month (it's been over four months). So, far only one rejection and the month's almost over.
I'm not a very patient person, but I have found that ignoring this problem is the only way to survive (I don't, however, recommend it for most problems--like hemmoroids). *snicker*
Seriously, I just keep writing and editing. If stalking editors or sending them flowers and chocolate would make a difference, I would. If pestering my agent every day would work, I would. But I such actions would only make the situation worse without changing anything.
At this point, I'm seriously starting to wonder if I'll ever hear anything . . .
I'm not a very patient person, but I have found that ignoring this problem is the only way to survive (I don't, however, recommend it for most problems--like hemmoroids). *snicker*
Seriously, I just keep writing and editing. If stalking editors or sending them flowers and chocolate would make a difference, I would. If pestering my agent every day would work, I would. But I such actions would only make the situation worse without changing anything.
At this point, I'm seriously starting to wonder if I'll ever hear anything . . .
Warning: don't tick off pregnant women.
Saturday, February 21, 2009
Especially when they're 36 weeks pregnant.
My husband and I dropped off our kids with my mother and got in our car to drive the six hour round trip to Rexburg Idaho to pick up our Quest SE (their top of the line) minivan from Smith Ford Mercury. The salesman, Micah Ellis, independently confirmed that the ad was accurate.
He lied. It was not a Quest SE, but a Quest S (It goes: base, S, SL, and SE). The car did not have the promised leather seats, 2 8 way power seats, sunroof, premium sound system, side airbags, sunroof, moonroof, and alloy wheels. These aren't things you "miss" when you walk out to the car and confirm that it does indeed have those features (how do you miss leather seats and a sunroof when you claim to be sitting in the car?).
We even asked superspecific questions (please check all the stitching in the leather seats--we've heard that they tend to come loose).
Amber fell victim to a "bait and switch" technique. Meaning that the seller promises one thing and gives you another.
I was so #@*!. I even let loose a few words my Dad taught me when he was shoeing horses. We asked to talk to the manager. He told us that it was our fault for not looking closer at the posted pictures. He then offered to take a reciprocating saw to the roof so we could have our sunroof.
The salesman claimed that he just posted the information he was given. When asked about his "checking the ad" for accuracy, he simply said that isn't the way he normally does business.
As I walked out of the dealership, I stopped by a very nice looking older couple and said, "Don't buy a car from these people. They WILL lie to you." I filled out every review I could on the internet and with the BBB.
I have also changed the name of a villain in my novel to Micah.
This dealership has learned two very important lessons today:
1. Don't mess with a pregnant woman.
2. Don't mess with a writer.
My husband and I dropped off our kids with my mother and got in our car to drive the six hour round trip to Rexburg Idaho to pick up our Quest SE (their top of the line) minivan from Smith Ford Mercury. The salesman, Micah Ellis, independently confirmed that the ad was accurate.
He lied. It was not a Quest SE, but a Quest S (It goes: base, S, SL, and SE). The car did not have the promised leather seats, 2 8 way power seats, sunroof, premium sound system, side airbags, sunroof, moonroof, and alloy wheels. These aren't things you "miss" when you walk out to the car and confirm that it does indeed have those features (how do you miss leather seats and a sunroof when you claim to be sitting in the car?).
We even asked superspecific questions (please check all the stitching in the leather seats--we've heard that they tend to come loose).
Amber fell victim to a "bait and switch" technique. Meaning that the seller promises one thing and gives you another.
I was so #@*!. I even let loose a few words my Dad taught me when he was shoeing horses. We asked to talk to the manager. He told us that it was our fault for not looking closer at the posted pictures. He then offered to take a reciprocating saw to the roof so we could have our sunroof.
The salesman claimed that he just posted the information he was given. When asked about his "checking the ad" for accuracy, he simply said that isn't the way he normally does business.
As I walked out of the dealership, I stopped by a very nice looking older couple and said, "Don't buy a car from these people. They WILL lie to you." I filled out every review I could on the internet and with the BBB.
I have also changed the name of a villain in my novel to Micah.
This dealership has learned two very important lessons today:
1. Don't mess with a pregnant woman.
2. Don't mess with a writer.
BelleBooks accepts "anything that's good."
Tuesday, February 17, 2009
I received my first rejection from my agent last week. I was completely surprised by the publishing house, BelleBooks. I googled them and was further surprised to see that they only take "Southern Fiction." I write YA Fantasy. I asked my agent, Al Longden, about it, and he said they are expanding. So I gave them a call in order to share a new avenue with the rest of you.
At 7:30 on a Saturday morning, Sandra Chastian, VP of Public Relations, returned my phone call. To summarize: BelleBooks takes "anything that's good." They are looking for MS that are fresh, new, or unique. She would like to see fiction geared toward an older market, but that doesn't ostracize the younger market (ie-alludes to pop culture events that the younger market wouldn't have a reference for).
They take unagented material.
When asked what advice she would give unpublished authors, Sandra said, "Join the RWA (Romance Writers of America). You may think you don't write romance, so you shouldn't join. You're wrong. Dead wrong. Joining the RWA was one of the smartest moves I ever made in my career."
If you're ready to submit, I'd try sending it to BelleBooks, http://www.bellebooks.com/writers.htm
Good luck!
At 7:30 on a Saturday morning, Sandra Chastian, VP of Public Relations, returned my phone call. To summarize: BelleBooks takes "anything that's good." They are looking for MS that are fresh, new, or unique. She would like to see fiction geared toward an older market, but that doesn't ostracize the younger market (ie-alludes to pop culture events that the younger market wouldn't have a reference for).
They take unagented material.
When asked what advice she would give unpublished authors, Sandra said, "Join the RWA (Romance Writers of America). You may think you don't write romance, so you shouldn't join. You're wrong. Dead wrong. Joining the RWA was one of the smartest moves I ever made in my career."
If you're ready to submit, I'd try sending it to BelleBooks, http://www.bellebooks.com/writers.htm
Good luck!
Paying for Writer's Conferences.
Friday, February 13, 2009
Not long ago, I blogged about the importance of attending writer's conferences. Not only for gaining knowledge, but the all important networking. Some of you asked a few questions, and I'd like to answer them.
1. So how do you know when conferences will be the most beneficial for you?
When you hit a brick wall in your writing. You've read the books and attended the critique groups. Still, your writing level seems to have surpassed the help you can get from those avenues. Then it's time to move to the next level (looking back, I've hit many places where I felt stuck. I didn't know what else to do to improve. In fact, I'm there now.)
2. How can you afford conferences?
Like many of you, I struggled with affording these conferences, which range in price from around 100 to over 500. If money isn't an issue for you, by all means, go. For me, it was a big deal.
Here's what I did: I picked conferences that were close, I used birthday money to pay for conferences, I called family and friends and asked to stay with them instead of paying for the hotel rooms, I split the hotel room and gas with other members of my writer's group I managed to talk into going, I drove home late instead of staying in the hotel, I held a garage sale and used the money to pay for the conferences, I started a second job selling lia sophia jewelry.
Even if you only attend one conference a year, this will be a great help to your writing career.
Another tip, there are free workshops. In my state, the League of Utah Writers holds them free for paying members (25 a year). There are no editors or agents at these events, but there are other writers to network with and learn from. Universities also hold these events for free.
BYU is holding one this week. If you're free tomorrow--GO! (I would love to, but my doctor has grounded my traveling for the next month). Say hi to David Wolvertin, Brandon Sanderson, and James Dasher for me.
;)
1. So how do you know when conferences will be the most beneficial for you?
When you hit a brick wall in your writing. You've read the books and attended the critique groups. Still, your writing level seems to have surpassed the help you can get from those avenues. Then it's time to move to the next level (looking back, I've hit many places where I felt stuck. I didn't know what else to do to improve. In fact, I'm there now.)
2. How can you afford conferences?
Like many of you, I struggled with affording these conferences, which range in price from around 100 to over 500. If money isn't an issue for you, by all means, go. For me, it was a big deal.
Here's what I did: I picked conferences that were close, I used birthday money to pay for conferences, I called family and friends and asked to stay with them instead of paying for the hotel rooms, I split the hotel room and gas with other members of my writer's group I managed to talk into going, I drove home late instead of staying in the hotel, I held a garage sale and used the money to pay for the conferences, I started a second job selling lia sophia jewelry.
Even if you only attend one conference a year, this will be a great help to your writing career.
Another tip, there are free workshops. In my state, the League of Utah Writers holds them free for paying members (25 a year). There are no editors or agents at these events, but there are other writers to network with and learn from. Universities also hold these events for free.
BYU is holding one this week. If you're free tomorrow--GO! (I would love to, but my doctor has grounded my traveling for the next month). Say hi to David Wolvertin, Brandon Sanderson, and James Dasher for me.
;)
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